--- title: "There Are Officially Too Many Damn Monoliths" description: "Are all these monoliths an international Banksy-level art installation or an extraterrestrial race pulling an uninspired prank on humanity? Likely neither." date: "2020-12-07" modified: "2020-12-07" authors: - name: "Victor Tangermann" job_title: "Senior Editor" link: "https://futurism.com/authors/victor" url: "https://futurism.com/too-many-monoliths" categories: - "Future Society" tags: - "aliens" - "monolith" --- # There Are Officially Too Many Damn Monoliths ![Are all these monoliths an international Banksy-level art installation or an extraterrestrial race pulling an uninspired prank on humanity? Likely neither.]() *\Image: Tag Hartman-Simkins\* It all started innocently enough in a quiet corner of the Utah wilderness. A team of biologists were counting bighorn sheep from a helicopter when [they spotted]() something strange: a ten to 12 foot shiny metal monolith standing out like a sore minimalist thumb in the rocky, rust-colored hills. Several weeks — and several monolith discoveries [and disappearances]() — later, and the novelty has arguably worn off. They've almost become too many to keep track of: there's [the one in Romania](), then a [third in California](). More have cropped up in [Pennsylvania]() and the [Netherlands](), as well as the [Isle of Wight off the southern coast of England](). We'll likely see even more copycats soon. What the hell is going? Is this an international Banksy-level art collaboration, or an extraterrestrial race pulling an uninspired prank on humanity? In either case, the execution would leave something to be desired. The construction on the monoliths has been inconsistent, with the one in Romania clearly a rushed welding job, while the one found on the Isle of Wight is substantially shinier than the one found in Utah. The Utah specimen was partially buried in the ground, while the one in England wasn't, and so on and so forth. The most prominent theory that has come forward so far is that the original monolith in Utah was an amateur-ish ode to the late minimalist artist John McCracken, as [*The New York Times* suggested]() last month. "The object in the photos I have seen is crudely made," artist James Hayward, a close friend of McCracken and former assistant, told the newspaper. "It’s a giant hoax, as far as I am concerned." At least one monolith is already accounted for. Over the weekend, [*The New York Times* reported]() that a group of four artists came forward taking credit for the monolith — and its replacement after the first one vanished without a trace — that appeared on top of Pine Mountain in Atascadero, California last week. "We intended for it to be a piece of guerrilla art," Wade McKenzie, one of the artists, told the *Times*. "But when it was taken down in such a malicious manner, we decided we needed to replace it." Regardless of who may be behind the numerous monoliths, the strange installations have managed to keep the attention of some of the most reputable news outlets in the world over several weeks, indicating that it's exactly the kind of distraction we needed right now. In fact, in many ways the public appetite for news stories that are not about the pandemic or elections has never been more insatiable. Aliens or not, it got people talking about *something else*. "I'm not sure if it's aliens, a Coldplay PR stunt or a local mirror dealer drumming up trade," Isle of White local DJ Rob da Bank [told the ]()*[BBC](),*" but it got us all down the beach anyway." **READ MORE:** [Monolith discovered on Isle of Wight similar to ones found in US and Romania]() \[*Sky News*\] **More on monoliths:** *[A Third Monolith Just Appeared in California]()* ## Author I've been at Futurism since 2017, where my role has evolved to encompass design, writing, and increasingly editing. I've always been fascinated by space exploration and advanced transportation, which I've leaned into by interviewing luminaries in those fields while closely following the dimensions of policy and regulation that allow next-generation projects to succeed -- or, sometimes, to fail. I'm also keenly interested in the effects of generative AI on society, policies, and democratic institutions, as well as clean energy, physics and biology, and the vagaries of tech leadership. My work for Futurism has been cited by publications including Ars Technica, Gizmodo, PC Magazine, Jalopnik, Fox News, and the New York Post. I spent my childhood living in locations including Manila, the Philippines, and Geneva, Switzerland, attended McGill University, and now live in Toronto, Canada. Before Futurism I worked at AskMen and a small photography studio. In my free time, I'm an avid gardener, foodie, and craft beer lover, as well as a maker of artisanal hot pepper sauces. I have a magnificent dog named Freida. ### Author social links [Bluesky]()