--- title: "Facebook Says Sorry Its AI Flagged Auschwitz Museum Posts as Offensive" description: "Earlier this month, Facebook's algorithm flagged 20 posts from the Auschwitz Memorial Museum as going against community standards — and now, Meta, its parent company, is eating crow. In a Facebook post, the Poland-based museum said that after Meta's content moderation algorithm moved some of its posts down in the feed over strange claims of […]" date: "2024-04-19" modified: "2024-04-19" authors: - name: "Noor Al-Sibai" job_title: "Senior Staff Writer" link: "https://futurism.com/authors/nooralsibai" url: "https://futurism.com/the-byte/facebook-sorry-flagging-auschwitz-posts" categories: - "Artificial Intelligence" tags: - "content moderation" - "facebook" - "Meta" - "the digest" --- # Facebook Says Sorry Its AI Flagged Auschwitz Museum Posts as Offensive ![Meta is eating crow after Facebook's algorithm flagged nearly two dozen posts from the Auschwitz Museum as problematic or offensive.]() *\Image: Kirill Kudryavtsev / AFP via Getty / Futurism\* ## Too Late Now Earlier this month, Facebook's algorithm flagged 21 posts from the Auschwitz Museum as going against its community standards — and now its parent company Meta is eating crow. In a [Facebook post](), the Poland-based memorial said that after Meta's content moderation algorithm moved some of its posts down in the feed over strange claims of violating community standards, the company has apologized, though not directly, for the error. "We mistakenly sent notices to the Auschwitz Museum that several pieces of content the museum posted had been demoted," a Meta spokesperson [told *The Telegraph*](). "In fact, that content does not violate our policies and was never actually demoted. We offer our sincere apologies for the error." In an [April 12 post](), the museum announced the erroneous flags and charged the social network with "algorithmic erasure of history." "The posts, which serve as tributes to individual victims of Auschwitz, have been unjustly targeted by this platform's content moderation system and 'moved lower in the Feed', citing absurd reasons such as 'Adult Nudity and Sexual Activity,' 'Bullying and Harassment,' 'Hate Speech,' and 'Violence Incitement,'" the post reads. Indeed, as screenshots show, none of the posts in question had any such content, instead showing portraits of Auschwitz victims and short descriptions of their lives and identities prior to their murders at the hands of Nazis. ![Może być zdjęciem przedstawiającym 3 osoby i tekst „We moved one of your posts lower in Feed. Auschwitz Memorial Muzeum Auschwitz April 10 at 5:01PM 10 April 1924 A Polish man, Feliks Koprianiuk, was born in Rossosz. In #Auschwitz from 12 May 1942. No 80090 In 1944 he was transferred to Bauzug work unit.... See more 80090 KLAuschwitz What happened Our technology showed that this post looks like others that A against our Community Standards for Violence and Incitement. ui We don't allow people on Facebook to share content that leads to genuine risk of physical harm m, or a direct threat to public safety.”]() *Image via Aushswitz Museum/Facebook* ## Common Problem While the flags have since been rescinded, many are sounding the alarm about how this kind of AI-powered system cuts humans out of the curation of important messages. .Shortly after the museum revealed the flags, Polish digital affairs minister Krzysztof Gawkowski trashed the site for such an egregious mistake, calling it a "scandal and an illustration of problems with automatic content moderation" in a translation of his [post on X-formerly-Twitter](). Gawkowski's demand for Meta to further explain itself was echoed by the Campaign Against Anti-Semitism, which said in a statement to *The Telegraph* that the company's apology didn't go far enough. "Meta needs to explain why its algorithm treats genuine Holocaust history with suspicion," the representative told the British newspaper, "and what it can do to ensure that these stories continue to get told and shared." It's bad enough that Meta's content algorithm flagged such important historic information as problematic — but within the context of its other major AI moderation issues, which includes [auto-translating "Palestinian" to "terrorist]()" and allegedly [promoting pedophilic content](), this is a particular affront. **More on Meta AI:** [*Meta's AI Is Telling Users It Has a Child*]() ## Author At Futurism, I've often been drawn to unpacking the narratives that underlie technological, scientific and medical progress, with a special interest in areas of conflict and ambiguity that end up setting agendas and steering the fates of both elites and the hoi polloi. I'm a committed generalist, but I often find myself returning to work involving NASA and the private space sector, the effects of AI on media and society, and the mechanics of the pharmaceutical industry, with a specific focus on the spread of GLP-1 drugs like Ozempic and Wegovy. Prior to Futurism, I worked for publications ranging from Media Matters and Truthdig to Raw Story and Bustle. I'm also the author of "Myspace Scene Queens," a 2024 title in Instar Books' acclaimed "Remember the Internet" series. My work at Futurism has been cited by outlets including the New Yorker, Slate, Nieman Lab, the Verge, the MIT Technology Review, the Sunday Times, and the Daily Beast. I grew up in North Carolina, attended the University of North Carolina at Asheville, and now live in Brooklyn, New York. In my free time, I'm an avid reader and music fan; you can probably find me at a local poetry reading, concert, underground rave, or DJ set. I'm the proud parent of an ineffable orange cat named Mee-Mow. ### Author social links [Bluesky]()