--- title: "Facebook Exec Defends Verifying Fake CGI People on Instagram" description: "Instagram parent company Meta is totally ok with giving virtual influencers a blue verification checkmark." date: "2022-04-05" modified: "2022-04-05" authors: - name: "Victor Tangermann" job_title: "Senior Editor" link: "https://futurism.com/authors/victor" url: "https://futurism.com/fake-cgi-people-instagram" categories: - "Future Society" tags: - "instagram" - "Meta" - "virtual influencers" --- # Facebook Exec Defends Verifying Fake CGI People on Instagram ![Instagram parent company Meta is totally ok with giving virtual influencers a blue verification checkmark.]() *\Image: imma.gram via Instagram\* Conventionally, the blue checkmark verification badge signals on social media that the identity of the person running the account was corroborated by a third party. But things get a lot murkier when it comes to virtual influencers, personalities that range from cartoon characters to photorealistic CGI renders of what could almost be mistaken for a real human being. It's a fascinating conundrum, symptomatic of a blending of what's real and what was generated by a computer on social media — and companies like Instagram are starting to embrace the trend, regardless of the implications. "At Meta, we are exploring what this new chapter of influencer marketing could eventually evolve into — both the good and bad — to help brands navigate the ethical quandaries of this emerging medium," Becky Owen, head of creator innovation and solutions at Instagram's parent company Meta, [told the website *Virtual Humans*](). According to the report, Instagram has verified at least 35 of them so far, including brand spokespeople, virtual musicians, [Disney's Minnie Mouse](), [creepy dolls brought to life](), and photorealistic virtual personalities that are [close to indistinguishable]() from flesh and blood humans. And they aren't in breach of Instagram's terms of service, either. Technically speaking, a verifiable account has to "represent a real person, registered business or entity," according to Instagram's [own guidelines](). In other words, an account run by one or more people who are creating a virtual persona are able to get the coveted blue checkmark without breaking any rules. "If we look at their expression on Meta’s platforms, we see that they are unique in how they connect to audiences," Owen told *Virtual Humans*. "They blend the story and fantasy of fiction with the engagement we typically see generated by human influencers." These virtual influencers are also creating new types of engagement, according to Owen, which means that companies like Meta have to adapt. While Minnie Mouse isn't likely to fool anybody into thinking she's a real human being, other accounts are much further along into the uncanny valley. Some of these virtual personalities are being used to [shill for brands](), further complicating the ethical questions surrounding the phenomenon. Given Meta's stance — a company that holds considerable power over what we see on social media — it's likely we'll be seeing more of virtual influencers in the coming years. Whether that's a good or a bad thing is subject of much debate. Is it misleading to turn CGI personalities into the acquiescent mouthpiece of various brands — or is it a clever use of 21st century marketing? We'll let you decide. **READ MORE:** [Instagram Has Verified 35 Virtual Influencers]() \[*Virtual Humans*\] **More on virtual influencers:** *[This CGI Influencer Is Shilling For More Than 100 Brands]()* ## Author I've been at Futurism since 2017, where my role has evolved to encompass design, writing, and increasingly editing. I've always been fascinated by space exploration and advanced transportation, which I've leaned into by interviewing luminaries in those fields while closely following the dimensions of policy and regulation that allow next-generation projects to succeed -- or, sometimes, to fail. I'm also keenly interested in the effects of generative AI on society, policies, and democratic institutions, as well as clean energy, physics and biology, and the vagaries of tech leadership. My work for Futurism has been cited by publications including Ars Technica, Gizmodo, PC Magazine, Jalopnik, Fox News, and the New York Post. I spent my childhood living in locations including Manila, the Philippines, and Geneva, Switzerland, attended McGill University, and now live in Toronto, Canada. Before Futurism I worked at AskMen and a small photography studio. In my free time, I'm an avid gardener, foodie, and craft beer lover, as well as a maker of artisanal hot pepper sauces. I have a magnificent dog named Freida. ### Author social links [Bluesky]()