--- title: "Welcome to “Robot Hell”! Meet the Deranged Genius Who Created an AI Version of @Dril" description: "An AI artist who moonlights as a parody account of the uber-popular @dril account reminds us that online can still be fun." date: "2022-04-12" modified: "2022-04-12" authors: - name: "Noor Al-Sibai" job_title: "Senior Staff Writer" link: "https://futurism.com/authors/nooralsibai" url: "https://futurism.com/drilbot-creator-interview" categories: - "Artificial Intelligence" tags: - "artificial intelligence" - "interviews" - "neural networks" - "social media" --- # Welcome to “Robot Hell”! Meet the Deranged Genius Who Created an AI Version of @Dril ![An AI artist who moonlights as a parody account of the uber-popular @dril account reminds us that online can still be fun.]() *\Image: Jack Nicholson / Futurism \* If you're on Twitter, you're almost certainly aware of [@dril](), the [legendarily deranged, long-anonymous shitposter](). Who could forget classics like this? https://twitter.com/dril/status/361282749086175234 And if you're aware of @dril, you've probably stumbled across [@drilbot\_neo](), a charmingly unhinged and wildly popular account that uses artificial intelligence to tweet in the style of the iconic Jack Nicholson-avatar-ed account. In an interview with Futurism, the creator of @drilbot\_neo — who goes by the moniker BST, short for "bearsharktopus," and uses nonbinary pronouns — celebrated the chaos of the project and provided new details about its creation and inspiration. "I like to laugh and I like to make other people laugh," they said. "This is just extending my high school tradition of being the class clown to new heights." BST joked about wanting to be freed from "eternal robot hell." In actuality, though, they seem to be having a blast. They said that @dril is the perfect type of account to parody because of its bizarre syntax and stylization, itself hilarious, paired with the difficulty AIs have in properly stringing together sentences makes for "comedy gold." "I think the two of them combined is exceptionally funny," BST said. They're not wrong. Just look at some of top-tier online shenanigans that it spits out. https://twitter.com/drilbot_neo/status/1512957971340447750 https://twitter.com/drilbot_neo/status/1513612468991537158 https://twitter.com/drilbot_neo/status/1512459075409399808?s=20&t=DApplRu9Rvr5VyPqf5ajBw https://twitter.com/drilbot_neo/status/1511842185435660298?s=20&t=DApplRu9Rvr5VyPqf5ajBw BST tells Futurism that they work in the tech industry, but had to pick up machine learning themselves, with a little help from the person who ran [@dril\_gpt2](), the other preeminent @dril parody account. "A friend of mine, the person who runs @dril\_gpt2, started doing generative art on their personal account," BST said. "I thought it was incredibly fascinating and asked them how they got into it, and that lead me to [@advadnoun](), who was basically creating the cutting edge of generative art at the time." After "a lot of late nights" learning the tech on their own, the person behind @dril\_gpt2 retired, and BST "decided to take their torch up." Along the way, they created other generative bot accounts that dream up everything from [fake lyrics]() to [phony "Magic: The Gathering" cards](), and began developing a [forthcoming video game called "Vermillion Descent"]() with the [up-and-coming artist Monckat]() — "whose mastery of depth, space, and material comes to life in every hand-drawn background," BST says — along with a team of musicians and animators. One piece of tech they're not so enthusiastic about? Non-fungible tokens (NFTs), which they complained have [started to plague the generative art community](). "Sorry to anyone who’s about to have their heart broken by this but words can’t contain my hatred for the NFT-sphere," they said. "If there is one thing I despise more than anything else, it’s unfairness, lying, hypocrisy, that whole stack of words, and when I look at NFTs all I see is a stack of people taking advantage of other people so they can afford to get taken advantage of in turn." "People who perpetuate pyramid schemes are the lowest of the low," they added. "I don’t blame anyone for getting caught up in the hype, particularly given the economic situation that, y’know, everyone my age is going through — when you have nothing, the promise of easy money is hard to turn down, especially when you’re an artist — and so I reserve the deepest pits of my rancor for the people at the very top." Was there anything else BST wanted Futurism readers to know? "I just want to make sure that it’s published in a major news outlet that I love my boyfriend so much," they said. "He is such an inspiration for me and is 95 percent the reason I’m a weird architecture nerd now, and he’s incredibly talented, and just way smart. I think you should all know that." And just for good measure, they threw in a plug for permaculture. "I would like to let the world know that planting berry bushes provides a re-usable, endless font of fruit that grows faster than a fruit tree but does not require constant re-planting like most crops, and you should strongly consider growing berry bushes if you have the room for them," they said. In a digital mediascape crowded by [larger-than-life figures]() and the weird power moves they employ, people like BST are a much-needed reminder of the internet's weird, whimsical foundations — which, in spite of all odds, persists if only we're willing to look. **More AI whimsy:** [*Man Gets Tattoo Of Art Created By Neural Network*]() ## Author At Futurism, I've often been drawn to unpacking the narratives that underlie technological, scientific and medical progress, with a special interest in areas of conflict and ambiguity that end up setting agendas and steering the fates of both elites and the hoi polloi. I'm a committed generalist, but I often find myself returning to work involving NASA and the private space sector, the effects of AI on media and society, and the mechanics of the pharmaceutical industry, with a specific focus on the spread of GLP-1 drugs like Ozempic and Wegovy. Prior to Futurism, I worked for publications ranging from Media Matters and Truthdig to Raw Story and Bustle. I'm also the author of "Myspace Scene Queens," a 2024 title in Instar Books' acclaimed "Remember the Internet" series. My work at Futurism has been cited by outlets including the New Yorker, Slate, Nieman Lab, the Verge, the MIT Technology Review, the Sunday Times, and the Daily Beast. I grew up in North Carolina, attended the University of North Carolina at Asheville, and now live in Brooklyn, New York. In my free time, I'm an avid reader and music fan; you can probably find me at a local poetry reading, concert, underground rave, or DJ set. I'm the proud parent of an ineffable orange cat named Mee-Mow. ### Author social links [Bluesky]()